Back in 1934, Ralph Nelson Elliott discovered that price action displayed on charts, instead of behaving in a somewhat chaotic manner, had actually an intrinsic narrative attached. Elliot saw the ...
Thwack! A light ripple of applause. A sip of tea. A pause. A shout goes up: HOWZAT!
An exhibition of Henri Michaux’s Mescaline Drawings in London reopens a question that haunted 20th-century art: Can drugs enhance artistic production.