Winston (Topher Grace) is a meek fugitive accountant of a crime boss who is hiding out in Alaska. He subsequently becomes a “Flight Risk” (meaning he has to be handcuffed at all times) when he ...

The Oscar-tipped The Brutalist was shot in VistaVision, a film format last used in the 1950s. To understand why we need to dive into the fascinating history of cinematic film formats.

The exquisitely exacting and expensive process (three to four times more costly than reliable black and white) was a major ...

Publication with a focus on independent film, offering articles, links, and resources.

The Fujifilm X-M5 is a refreshingly small mirrorless camera and serves to fill a gap in the space. Tiny cameras were all the ...

Durga Chew-Bose, from Too Much and Not the Mood (2017) “Certain phrases fascinate me with their subtle implications, even though I may not altogether understand their meaning.” –-From the novel ...

The Catalonian filmmaker talks about his latest feature, revolving around subjects such as fate, death, cinematic fiction and ...

He may be cinema's reigning micromanager, but the best David Fincher movies use that exacting technique to burrow under your ...

Adolescence. It's the best of times, it's the worst of times—usually all at once. And over the years, it's inspired some ...

The freethinking director, admired by French critics but at odds with U.S. studios, based one of his greatest films, “Bigger Than Life,” on an article in The New Yorker.

North Madras's first air-conditioned cinema — P Paneerselvam's eyes light up as he reminisces about his 40-year journey as ...