Timecode which also appears on the video image. May be placed anywhere in the image - for most purposes down low, for foley up high. A timecode burn is essential for most post production audio work.

In the best of all possible worlds, this form of SMPTE timecode - where the numbers all move in simple cycles: hours 0 - 23, minutes 0 - 59, seconds 0- 59 and frames 0- 29 (0 - 24 or 0 - 23) would ...

SMPTE Time Code™ and the ubiquitous SMPTE Color Bars™ are just two examples of SMPTE’s notable work. Now in its second century, SMPTE is shaping the next generation of standards and providing ...

The VC-3 standard, a codec implementation that Avid provides under the DNx brand, is a primary production codec used by enterprise media organizations worldwide for critical broadcast functions such ...